Drew Paralic is that most unusual of things, a jazz pianist and composer who has released an album of originals played by others. Having taken up the instrument too late, he says, to approach the mastery of deeply appreciated influences like Bill Evans and Thelonious Monk, Paralic instead decided to focus on writing and arranging music.
by Nick DeRiso “Like Sonny,” reportedly based on an element of a Sonny Rollins solo — perhaps during “My Old Flame,” from Kenny Dorham’s 1957 Jazz Contrasts record? — illustrates the remarkable attention to detail that still makes John Coltrane‘s music not just interesting but important. He wasn’t a stylist, or someone attempting to mimic someone else. Coltrane was trying [...]
by Pico What a stellar year it’s been for Posi-Tone Records. They’ve generated record after record of honest-to-goodness mainstream jazz done with taste, style, with exceptional sidemen and flawless production. After reviewing zero releases prior to 2010, we’ve now given our impressions on a dozen releases, eleven of them 2010 releases. However, Posi-Tone isn’t done yet, and recently there came [...]
by Nick DeRiso Even a passing fan can purchase with some confidence the touchstone jazz recordings of the last century. But what next? How to explore deeper into the legacy? SomethingElse! is here to help, with an ongoing guide to what we like to call “if/then” jazz listening … IF YOU LIKE … Charles Mingus’ The Black Saint and the [...]
photo: Jimmy Katz by S. Victor Aaron When a great, small combo jazz pianist makes a solo record, it usually doesn’t signal that pianist’s arrival, it means he’s solidifying his legacy. We witnessed this with Art Tatum’s Solo Masterpieces recordings made at the end of his life. The same goes with Bill Evans’ Alone recorded several years after his Village [...]
by Nick DeRiso Sam Newsome, who first came into wider notice as a tenor-playing member of the Terence Blanchard Quintet in the early 1990s, takes the soprano to places both familiar and new on “Blue Soliloquy.” Subtitled “Solo works for the soprano saxophone,” it’s Newsome’s tone-poem love letter to what makes his new instrument such a freeing experience. No longer [...]
by S. Victor Aaron It’s been hard to get my head out of the jazz idiom lately. That hadn’t limited the variety in my listening that much, since “jazz” covers so much musical ground. For this go-around of Quickies, the first two selections aren’t all that dissimilar but then the style goes to way-back for the third one then way-forward [...]
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