by Nick DeRiso “Like Sonny,” reportedly based on an element of a Sonny Rollins solo — perhaps during “My Old Flame,” from Kenny Dorham’s 1957 Jazz Contrasts record? — illustrates the remarkable attention to detail that still makes John Coltrane‘s music not just interesting but important. He wasn’t a stylist, or someone attempting to mimic someone else. Coltrane was trying [...]
by Nick DeRiso Drummers, even the rare ones who find fame, are enablers. They spend the bulk of their time refocusing the spotlight on others. It’s no different on Nommo, the sterling new quartet release by Turkish-born Ferit Odman. He assembled a thoughtful group of notables for sessions held in Brooklyn, N.Y., and then smartly allowed each of them to [...]
Michelle V. Agins/The New York Times by Pico Maybe it hasn’t been talked about that much, but in spite of all the advances in the mastery the instrument led by Sonny Rollins and John Coltrane, the development and evolution of the jazz saxophone didn’t end with those guys. Many of the sax players play a modern style that’s more intricately [...]
by Nick DeRiso Even a passing fan can purchase with some confidence the touchstone jazz recordings of the last century. But what next? How to explore deeper into the legacy? SomethingElse! is here to help, with an ongoing guide to what we like to call “if/then” jazz listening … IF YOU LIKE … Charles Mingus’ The Black Saint and the [...]
by S. Victor Aaron Birthday parties are almost always such fun events and nowadays, they all get captured on video. When someone marks their eightieth birthday, that’s a real cause for celebration. And when the birthday boy celebrates it by ripping it up making some great music, that’s just icing on the birthday cake. Delmark Records, a Chicago institution as [...]
by Nick DeRiso Sam Newsome, who first came into wider notice as a tenor-playing member of the Terence Blanchard Quintet in the early 1990s, takes the soprano to places both familiar and new on “Blue Soliloquy.” Subtitled “Solo works for the soprano saxophone,” it’s Newsome’s tone-poem love letter to what makes his new instrument such a freeing experience. No longer [...]
photo: Mamoru Kobayakawa by Pico Here at Something Else we take a shining to rising young talent who puts a modern, interesting twist on jazz while honoring its tradition of deep harmony, creative improvisation and unselfish group symbiosis. That’s what I liked about E.J. Strickland’s debut album In This Day, which came out this past spring. I didn’t have to [...]
by Pico Late last year I covered a new release by David Weiss’ New Jazz Composers Octet, The Turning Gate. The names found in this band aren’t household names, but the high level of musicianship and composition writing savvy by every member of this collective nevertheless makes this a real jazz supergroup. Well, today comes a new release by a [...]
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