by S. Victor Aaron When I lived in a college dormitory, a guy down the hall from me turned me on to this ECM record Silent Feet by Eberhard Weber. The two long tracks and the one even longer track were entrancing to me, like going on this audial odyssey. Even though the record had already been out for about [...]

by S. Victor Aaron I know exactly what our own Mark Saleski speaks of when he states that “music obsessives and regular folks alike know of the song/memory retrieval phenomenon — you hear a song and instantly remember where you were the first time you heard it.” Moreover, a song can also be forever associated with an event in your [...]

by Nick DeRiso You hear Beatles songs remade by jazz musicians with notable frequency, some more successful (Jaco Pastorius‘ glorious reading of the oft-covered “Blackbird” from “Word of Mouth”; a just-right “All My Loving” on “Basie’s Beatles Bag”; Ramsey Lewis‘ underrated “Hard Day’s Night” from “Finest Hour”) than others (almost all of the rest of that un-Fab 1966 Count Basie [...]

by Nick DeRiso Perhaps best remembered in jazz circles for his melodic work on the fretless (notably as a member of the Pat Metheny Group from 1977-80), bassist Mark Egan’s earliest influences couldn’t have been more far afield. A former student of Jaco Pastorius at the University of Miami, Egan wanted to emulate Bernard Odum from the classic James Brown [...]