by S. Victor Aaron Gerald Cleaver, along with Nasheet Waits, seems to always be the drummer on some really outstanding jazz records of late. Michael Formanek’s The Rub And Spare Change required virtuosic musicians playing at peak level to make it work, and Cleaver did his part and then some, helping to compel me to make this my Mainstream and [...]

by S. Victor Aaron About this time last year Henry Threadgill ended a eight year hiatus from the recording studio and released This Brings Us To, Vol. 1. It was very well received, and made almost everyone’s year-end “best of” jazz albums for 2009, including ours. On one day short of a year since that release, Threadgill and his Zooid [...]

Photo: Juan-Carlos Hernandez by S. Victor Aaron In my humble opinion, it’s not the improvised (aka “whack”) jazz that seems toughest to compose and render, nor is it the more mellifluous but intricate modern jazz. Rather, it’s the the kind of jazz that successfully combines both approaches. To me, it’s a marvel how a few talented and visionary musicians can [...]