by Nick DeRiso A lot of singers have sung this one, from Nat “King” Cole and Johnny Mathis to Diana Krall and the Orioles, the post-war R&B vocal quartet. For me, though, Nancy Wilson’s has always been the definitive reading. She nails the sense of hopeful anxiety that surrounds Dec. 31 every year, even while continuing to display a hushed [...]
by Mark Saleski I’ve written about this before, the mystery of “Why do I like this?” The discussions that are apt to be generated can be enlightening. If you start at the very restrictive end of the scale, there’s the idea that beauty has some sort of objective element, supposedly making evaluation a simple exercise. Going along with that is [...]
by Nick DeRiso You hear Beatles songs remade by jazz musicians with notable frequency, some more successful (Jaco Pastorius‘ glorious reading of the oft-covered “Blackbird” from “Word of Mouth”; a just-right “All My Loving” on “Basie’s Beatles Bag”; Ramsey Lewis‘ underrated “Hard Day’s Night” from “Finest Hour”) than others (almost all of the rest of that un-Fab 1966 Count Basie [...]
by S. Victor Aaron Last year we spotlighted a trio of CD’s that made up the maiden releases by a new record label, the artist-run collective Brooklyn Jazz Underground Records. A year later last June, there were three more BJU records to examine. And here we are less than six months after that, and there are now four more new [...]
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