Photo from Fallon Cush’s MySpace page by Nick DeRiso Fallon Cush grows more confident with each passing song on their self-titled debut. Perhaps because singer Steve Smith put this together on the fly, enlivened by passion and not weighed down by heavy planning.

Photo from Jos Knaepen/ amsterdamjazzagency.com by S. Victor Aaron When I first started the Stacks series last year, I had two formatting rules about it: each artist was to be allotted one paragraph each and there must be at least six albums examined. I’m bending both rules this time, as only five new releases will get a look, and the [...]

Photo from NME.com by Tom Johnson Just a week ago, we were expecting nothing more than the usual – just distant wondering of when there might be a new Radiohead. It had to be coming soon, right? It’s been more than three years since they surprised us with In Rainbows and then only cryptic messages about embracing new formats. Were [...]

Face Value is a fulcrum for fans of both Phil Collins and the band he had just begun leading, Genesis. Thought of, if its thought of at all anymore, as a divorce record (thanks to its two hits, “I Missed Again” and “In the Air Tonight”), Face Value is something much different in the listening. Rather than wallowing in what [...]

by Nick DeRiso Equal parts Summer of Love songcraft and heartland soul, the Shamus Twins’ Garden of Weeds is as apt to jangle as it is to twang. That’s reflective of the Los Angeles-based band’s founders, guitarist Jerry Juden and bassist Tim Morrow, two halves of the same genre-busting whole. They take turns with songwriting duties, recalling the long-ago heyday [...]

by Something Else Reviews Writing can feel akin to tossing a flat rock across the surface of a shimmering river. You never know how far it will go, or just how wide those concentric circles left behind might eventually spread. Sometimes, the thing just sinks. Like, well, a rock. But other times, these entries take on a life of their [...]

by Nick DeRiso A lot of singers have sung this one, from Nat “King” Cole and Johnny Mathis to Diana Krall and the Orioles, the post-war R&B vocal quartet. For me, though, Nancy Wilson’s has always been the definitive reading. She nails the sense of hopeful anxiety that surrounds Dec. 31 every year, even while continuing to display a hushed [...]

by Nick DeRiso A massive reissue project from Apple Records had me digging back through the old Billy Preston sides. None is more titanically funky, and lastingly influential, than “Outa-Space,” with its greasefire groove and afro-shaking new clavinet sound. “Outa-Space” is not to be confused with his similarly named No. 4 hit of a year later, “Space Race.” (Dick Clark [...]

by Nick DeRiso Cassandra Wilson, who consistently defies convention as this restless chanteuse, doesn’t disappoint with Silver Pony — issued today on Blue Note as the long-awaited part-in studio, part-live followup to her celebrated Loverly. She has the vocal phrasing, the dusky intellect, of Charlie Parker and the elastic intuition of Betty Carter. Yet, Wilson is no throwback. She writes [...]

Paul McCartney’s “Band on the Run” still represents the creative highpoint of his career away from the Beatles, nearly four decades later. So, to paraphrase a tune here, what’s the use in repackaging the thing again? Well, a brilliant remaster of the original tapes, which have always been a little muddy, additional never-before-seen home movies from the exotic recording sessions, [...]