Photo by John Broughton by S. Victor Aaron Like William Parker, Anthony Braxton and Rahsaan Roland Kirk, Ernest Dawkins is an avant garde jazz guy who doesn’t give a damn if the music he plays is dissonant or tuneful, it’s all about if it sounds right, period. By extension, the saxophonist’s New Horizons Ensemble is that way, too: since 1978, they [...]
Photo from Delfeayo Marsalis’ MySpace page by Nick DeRiso For all of the many wonders of Duke Ellington‘s Such Sweet Thunder, the 1957 ode to the writings of William Shakespeare left plenty of room to tinker. Many of the compositions, which explored literary familiars from Othello to Hamlet, were but brief bursts of sound. That opens the door for an [...]
by Nick DeRiso Drummers, even the rare ones who find fame, are enablers. They spend the bulk of their time refocusing the spotlight on others. It’s no different on Nommo, the sterling new quartet release by Turkish-born Ferit Odman. He assembled a thoughtful group of notables for sessions held in Brooklyn, N.Y., and then smartly allowed each of them to [...]
Photo: Raj Naik by Pico Millions of people know him as an affable, guitar-wielding long-time bandleader of the most popular late night show in television history. Now that Kevin Eubanks has left his eighteen year stint as Jay Leno’s musician sidekick on The Tonight Show, it’s time to become acquainted with the Kevin Eubanks that’s been around for nearly twice [...]
by Pico The Claudia Quintet is an ensemble that goes by its own set of rules. With its slightly weird combination of vibes, accordion, sax, double-bass and drums, and songs that don’t follow the script of how songs go (but avoids skronkery and dissonance), the five piece band is an anomaly of an anomaly. It all comes from the deviously [...]
by Nick DeRiso You hear Beatles songs remade by jazz musicians with notable frequency, some more successful (Jaco Pastorius‘ glorious reading of the oft-covered “Blackbird” from “Word of Mouth”; a just-right “All My Loving” on “Basie’s Beatles Bag”; Ramsey Lewis‘ underrated “Hard Day’s Night” from “Finest Hour”) than others (almost all of the rest of that un-Fab 1966 Count Basie [...]
by Pico In the promo video below, pianist Orrin Evans performs the first cut from his new album Faith In Action, and the camera ever so slyly captures a picture of Thelonious Monk in the background. The subliminal advertising is undoubtedly intended to suggest that Evans’ playing style is inspired by one of the all-time great composer and piano players [...]
by Nick DeRiso Julian “Cannonball” Adderley, a spirited, bluesy and always fun performer, seemed to burst out from a series of early live recordings during a period when that was rare. In the late 1950s and early 1960s, there were just too many logistical nightmares, from getting good takes in the smoky, raucous atmosphere of a nightclub, to finding a [...]
by Nick DeRiso “Live at Montreux,” which focuses on tunes from Wayne Shorter’s then-new album “High Life,” might have been just another night in a lifetime of concert dates — if not for the former Miles Davis sideman’s still prodigious, almost hypnotic ability on the sax. That, and some bonus cuts from Montreux performances by Shorter in 1991-92, courtesy of [...]
by Pico Jeff ‘Tain’ Watts doesn’t hail from New Orleans (he’s a native of Pittsburgh), but it seems he enjoys hanging out with guys from there. The Marsalis family—Wynton, Branford and Ellis—have enlisted his services, as well other Big Easy luminaries as Terence Blanchard and Harry Connick, Jr. Watts first made his name as a member of Wynton’s first band [...]
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